Last year I reviewed GLOW season 1, so natural next step: review GLOW season 2. This review will contain spoilers, so if you haven’t watched season 2 yet and you care about that sort of thing, come back and read this later. The 30 minute episodes make GLOW super bingeable so it’s pretty easy to cruise though the entire second season.
GLOW season 2 picks up with the ladies returning to work, trying to exhibit a little more ownership over their roles. For Ruth and Debbie this means trying to take on new roles on the other side of the camera, and for the other women, it’s exploring their characters and relationships more. As I mentioned in my season 1 review, it’s the side characters of GLOW who really hold my heart. And while the incredibly complex relationship between Debbie and Ruth continues to be a central-ish plot point, each of the other ladies (and Bash) also get their chance to shine. They are no longer “the one who dresses as a wolf” or “the British woman.” Instead we get a deeper look at these women in terms of what drives, motivates, and in some cases, transforms them.
This is important not just in terms of giving the diverse cast opportunities, but because for me, the relationship between Debbie and Ruth doesn’t have much of an arc and therefore, neither do their characters. At best, you watch them go from friends to enemies to begrudging co-workers, neither overly likable, despite the fact that outside the ring Ruth is often set up as hero of sorts whereas Debbie remains aloof and purposely removed, at times casting herself as a villain. These roles being the opposite of their wresting characters still isn’t really interesting enough to make up for the fact that Debbie and Ruth seem more like the anchors for the ensemble than anything else. More than anything, they provide a static touch point rather than any dynamic catalyst.
Another focus of this season is how these women operate in the space that has now been made for them. In season 1 we see them fighting for their place, trying to get a foot in the door, even if that means playing up to 80’s stereotypes of race and gender. In season 2 you get the sense that now that there is a bit more stability in their wrestling shows (they have fans and everything), many of the characters are exploring that space and are trying to take ownership of it. One of the more interesting arcs is Beirut’s. While she accepted her character in the beginning, her real desire is to shed the guise of a terrorist and rise again as her truer self, a phoenix. This, in parallel with the exploration of her sexuality make her character the one who has perhaps gone through the most transformation.
It’s so rare to get a show with such a large female ensemble cast, let alone one where the focus is on the internal relationships of the character themselves, rather than an outside male influence. As much fun as watching the evolution of the wrestling was, what really held my heart in GLOW was watching the evolution of the friendships and the formation of the family.
In our “We Can Do It” series, we talk to women who have careers in male-dominated industries. A few weeks ago, former wrestler Melina Perez visited Comicazi to do a signing. In her career with the WWE, Perez was a two-time Women’s Champion and three-time Divas Champion, and is recognized as having one of the most impressive arrays of offensive moves in the industry. She graciously agreed to chat with The Red Menace about comics, her career, and the joys and pitfalls of being a woman in that world. Their conversation has been edited for brevity and clarity.
Hey all, I’m gonna review the Netflix show, GLOW. If you haven’t seen it yet, go watch it and then let’s chat. There be spoilers here and I don’t want to ruin the show for you, ok?
GLOW starts with an acting audition that is too real even by today’s standards. Main character Ruth (Alison Brie) is at an audition; she reads a meaty part with passion, and conviction….only to be told, no honey, that was the male part, can you try it again reading the other part? The other part is one line, letting the boss know he has a call on hold. This sets the stage for one of the more meta themes of this show. Yes, it’s 2017 now, but really, how much have things changed? Continue reading