Hope you are all enjoying the summer and staying cool. In previous posts, we have discussed some podcasts and books that we have been into lately. My current summertime media consumption has included reading The Vision and watching Netflix’s A Series of Unfortunate Events.
So why am I talking about these two things together? Besides being the things I have most recently read/watched, they both employ a style of narrative storytelling that warns you what’s coming. Rather than dampening the story, these breadcrumbs lead you through the drama and guide you into darker elements without even coming close to diminishing the gut punch or (especially in the case of The Vision) some truly difficult emotional moments. The story remains compelling despite what could be termed as spoilers built right in.
Of the two, A Series of Unfortunate Events (SoUE) is clearly the lighter fare, geared for ages…well I would say 8 and up, but you know your kid. These stories were first a book series and then a Netflix series. The story follows the Baudelaire children as they are orphaned and then repeatedly terrorized by Count Olaf, a villain obsessed with getting his hands on the fortune the oldest daughter will inherit when she is of age. While I stopped reading the books after about 3 (there are 13 in the series), the Netflix series manages to stave off some of the repetition with a very strong cast and interesting stylized visuals. The most fun part of the series is Patrick Warburton who plays author and narrator Lemony Snicket. Snicket, with a dry gravitas that Warburton is just perfect for, tells you right off the bat what you are in for. And what you’re in for is horrible people treating some innocent kids horribly. Anyone around them is also pulled into the horribleness -horribleness that is largely orchestrated by Count Olaf. The narration acts as a teaser, breaking the fourth wall to remind viewers of the drama they are watching play out, reminding them that they are watching a show that is literally telling you it’s a series of unfortunate events. And yet, you still think and hope things might go the Baudelaires’ way. But don’t hope, because they don’t. But still, I found myself moaning and groaning and hoping maybe, just this time, things would be okay, even as Patrick Warburton’s dulcet tones continuously told me they wouldn’t.
The Vision is a 12-issue comic series by Tom King. It’s available in two trades, so do yourself a favor and just buy them both because if you start this series, you are going to want to finish it.
This story uses a similar narrative device to the one used in A Series of Unfortunate Events, SoUE is largely comical in its misery, The Vision is too real. An unseen narrator tells us that Vision decided to create a family. They move to a suburban neighborhood in the Washington DC area and try to fit in. This never happens. Instead, the Visions exist in a limbo, not quite human, not quite synthezoid. Sometimes they go through the motions, acting as they think humans should. Other times they are perhaps too human, unwittingly falling into the perils of violence, mania, and love. The villain in this story is largely unseen and debatable. Is it life? Ultron? Vision himself? Despite this story not having a mustache-twirling antagonist like SoUE, you know in the first few pages that this experiment in family won’t end well. Over 12 issues, we watch the pieces fall and shatter on the floor. Knowing this is coming doesn’t make this story any less compelling. Instead, it’s a study of an unraveling of a dream – its own series of unfortunate events, and we are never lead to believe it will be anything but that.
So, a similar narrative device, but 2 different stories in tone and weight. I would recommend them both but maybe have some tissues available when you read The Vision.