Earlier this month the American Repertory Theater (ART) started previews of Jagged Little Pill, a new musical directed by Diane Paulus featuring the music of Alanis Morissette and a book by Diablo Cody. Previews are essentially try-outs. Creators work on the show as the performances go along. Some things get cleaned up and expanded on, others get cut. The one thing we can almost be certain of is this: if the show makes it beyond Cambridge (on tour or to Broadway) it will be a different creature than it was in the beginning. And this is a good thing because I saw Jagged Little Pill during the first week and while there are some interesting moments, I think this show has a lot of transformations to go through.
Taking place in modern-day suburban Connecticut, Jagged Little Pill strives to prove the timelessness of Morissette’s music by creating a story very much in the middle of today’s social complexities and challenges. If you take some time to check out the internet buzz about this show, you’ll see the word “woke” bandied about a lot. And I suppose that’s what the show’s trying to show us…that it, in itself, is “woke.” But is it really? And for that matter, is the show any good?