The new year has arrived, bringing with it the usual vows of self-improvement, opportunity for fresh starts, and hope that the coming twelve months will be better than the previous. It’s a traditional time for optimism.
Unfortunately, New Year’s Day 2018 doesn’t find me full of anticipation for the new year. Aside from the bigger problems of the world that haven’t disappeared with the 2017 calendars, my husband and I are both sick. We’re also still recovering from the emotional drain of the holidays. And temperatures aren’t venturing above 30 degrees. Don’t get me wrong; my life is good and I’m still grateful for what I do have.
Still, it can be tough to find enthusiasm for the new year when I’m more inclined to curl up in a blanket with my dogs to stay warm. However, I’d like to feel that sense of a fresh start and anticipating the new. So I am focusing on something I am definitely looking forward to in 2018. I’ve asked the other Ladies what they are looking forward to as well so click through to find out what we can’t wait for. Continue reading
The weather has turned cold and many of us are preparing for the long winter – filled with hot cups of tea, ill-fated attempts to wear 6 sweaters at once, and spending snowy evenings with your dear friend, Netflix.
And that’s where I come in. I’m a firm believer that Netflix time should be quality time. Until their algorithm improves, I’m hoping to spare you some time searching through their catalog and point you right towards the good stuff. So in this edition of Netflix Hidden Gems, I present you with April and the Extraordinary World.
Need a new animated show to check out? Here’s what I’ve been watching lately. Two are TV series, one is a direct to home market movie. Two are recommended and one is…well, read on and see. Continue reading
French animation isn’t something that’s on a lot of radars in the US. With major houses like Disney, Pixar, Illumination, and Dreamworks (and even Ghibli for a bit) taking up the major real estate in theaters and awards shows, it can often seem surprising when a quiet French animated film starts to get even a little recognition. And when it gets nominated for an Oscar, chances are quite good that the film is going to be worth your time.
When I saw that the English dub of Ernest and Celestine was available on Netflix, it was a no-brainer. The only choice I needed to make was what type of tea to drink while watching.
Based on the book by Gabrielle Vincent and made on a shoestring budget, Ernest and Celestine tells the familiar story of two unlikely friends who manage to create a home and family together. It’s familiar, yes, but it’s also warm, sweet, and perfectly crafted.
Celestine is a young mouse living beneath the streets of a city inhabited by bears. Each night she sneaks into town to steal the teeth that young bears leave under their pillows for the Mouse Fairy. These teeth are then used by other mice to repair their own damaged and missing teeth. Sadly, she’s not great at her job and the dentist she works for threatens to fire her if she doesn’t improve. Desperate to make her quota, Celestine gets caught in the city above and finds herself in the paws of Ernest the bear.
First things first, the animation is gorgeous. With hand painted watercolor backgrounds and matching Flash animation, the soft tones result in a visual style that is extremely enjoyable to look at. Everything feels soft, cozy, and dreamy. It’s a children’s book come to life with mice scurrying across pages and bears quite literally lumbering around. Yes, it’s very cute, but it’s never cutesy or sickeningly sweet. The tone and the stylistic animation complement each other, and it works just as well during the darker moments as it does during the lighter ones.
Additionally, this movie is funny. It’s hard to explain why, but there is something about the slapstick and physicality of the characters that made me smile a lot. The timing and pace never feel heavy, so when a character trips or runs into a wall, the audience is given just enough time chuckle without feeling as though the movie is waiting for you to congratulate it on how clever and funny it is.
Lastly, the voice acting in this film is great. The cast is filled with distinguished, talented, and familiar names like Forest Whitaker, Lauren Bacall, and Paul Giamatti. Celestine herself is voiced by Mackenzie Foy, who does a charming job of making Celestine both empathetic and brave.
So, go ahead and add Ernest and Celestine to your Netflix queue and maybe someone other than me will start gushing over it to her friends and online. Hey, it could happen!
Already seen Ernest and Celestine and looking to expand your horizons when it comes to animation? Specifically French films? Here are a few recommendations (many of which can be found on Netflix):
Modern pop culture is filled with terms that try to describe the media we consume. With new phrases and new definitions emerging all the time, it can be difficult to know what the new terminology actually means, even when you hear it frequently. We Ladies like to provide some clarity by defining some of these commonly heard terms that people may not fully understand. We did it with “Mary Sue” and now we’re tackling the “uncanny valley.”
Much in the vein of our Netflix Hidden Gem series, this week I’m branching out to include Amazon Prime. Why you may ask? Simple. I want to talk about Studio Ghibli!
Ronja, The Robber’s Daughter (Netflix Original, Studio Ghibli)
Based on Astrid Lindgren’s novel, this series tells the coming of age of Ronja, the only daughter of a robber chief growing up in medieval Scandinavia. When Ronja becomes old enough to explore the forest on her own, she discovers that a rival robber clan and their young son are living quite close by. The two strike up a friendship, regardless of their parents’ wishes.
Photo: Amazon, Studio Ghibli
I was very excited when I heard that Ghibli was going to be releasing this series on Amazon and I started watching it not long after it was available. But here it is almost 2 months later and I’m only just getting around to talking about it. This is because it took me a long time to both finish watching it and even longer to decide how I felt about it. So, for the sake of this review, I’m going to simplify things. For better or worse, here’s what I thought. Spoiler alert: it’s kinda a mixed bag.
This is probably the last post I’ll write before I go to see Disney’s new live action Beauty and the Beast, which comes out on March 17th. As a huge fan of the original film, I look forward to the remake with a mix of excitement (Emma Watson is perfect casting), worry (still not loving the computer animated enchanted objects), and the knowledge that the quality of the new film does nothing to change the first one and the way I feel about it. The impending premiere also has me revisiting some of the interesting details I’ve learned about the original movie and its creation. This includes a few answers (or near answers) to some of the Internet’s burning questions, which is what I’m going to share with you today.
Animation of all kinds has always been essential in helping to bring dinosaurs back to life on screens big and small. In the month where we celebrate everyone’s favorite prehistoric creatures, let’s take a look at a small sample of the wide world of animated dinos.
The end of last month brought news of the coming end of an era. Cartoon Network’s critically acclaimed and much loved series Adventure Time with Finn and Jake will be ending in 2018. I’ve seen a lot of the early stages of mourning for the show around the Internet and I certainly sympathize as a longtime viewer myself. But even though I will miss having new episodes of the groundbreaking show to look forward to, I’m ready to see it reach its conclusion. Because endings aren’t necessarily a bad thing. Continue reading
This is part 2 of my review of the new DC animated film of Alan Moore’s The Killing Joke. If you are looking for part one, you can find it here.
Part 2: Mark Hamill is a National Treasure
If you read the first half of my Killing Joke review, you will have learned that I am not a huge fan of the original comic. I am, however, an INSANE fan of Mark Hamill’s performance as the Joker. No seriously, if I had the means, I would hire him to sit at my desk and read selected emails from my work clients aloud. I just know that those automatic system reminders and employment verification requests could be so much more nuanced with the right delivery and some maniacal laughter thrown in. But I digress. Back to the film.
We last left off with Barbara hanging up her cowl and the movie has now switched its focus to the actual source material for which it is named. Or at least it will once it pushes through a rather clunky transition where Batman is brought in to investigate some bodies that turned out to be victims of the Joker a couple years earlier. For some strange reason, these few bodies drives Batman to ask Gordon for access to visit Arkham and confront Joker face to face. Now this might sound nit-picky, but I always believed that the comic took place later in Batman’s career. And that he is tired, worn, and that this was a long time coming. However, in the film it doesn’t feel that way at all. We were so focused on Barbara that this sudden need for Batman to have a heart to heart with the Joker kinda comes out of left field. Why now? I mean sure, we get a lot of “this can only end in us killing each other” and all that stuff, but without a prior knowledge of Batman in general, it feels forced and almost jarring. For a guy who had little to say to Barbara after sleeping with her, he sure is chatty now.
From this point forward, I don’t think it makes a lot of sense to hash through the plot. Most of us are pretty familiar with it anyway. The screenplay doesn’t add much additional filler from this point on. In fact, it is one of the most faithful adaptations of a graphic novel I have seen perhaps since the original Sin City film. I do have to give credit where credit is due because this is where the film truly delivers.
Take a look for yourself:
It is also in the second half of the film that we finally hit some emotional notes. Aside from the fact that no one (and I mean no one) can Joker monologue like he does, Hamill’s portrayal of the Joker’s life before he hit that tank of acid is compelling to watch. The characterization Hamill gives us is a complicated one. While we feel for this unnamed struggling comedian, you can’t help but see moments that make us a little uneasy. His voice is softer and almost meek at times but builds and becomes more familiar as he struggles with his own feelings of failure. Is this guy all there? Does he really have his family’s best interest at heart? Or is there something darker lurking under the surface? And just what needs to happen to finally push a person over the edge of reason and humanity? Here in the film is where we really start to see the examination of what madness is. And that is what The Killing Joke is famous for. This is worth a watch, if nothing else.
As I try to sum up this review, I really find myself torn. The easy answer for me would be to suggest that everyone skip the first half and just watch the second, but that feels unfair and frustrating. I wanted Barbara to have her chance to be more than a object to drive the story line, more than a woman whose fate it determined by the men around her. I didn’t get that at all. But the second half of the film still managed to pull me in. The animation and the performances are just that solid. And you can’t deny that no matter how you feel about this story, it is iconic and will continue to be included in conversations about Batman’s mythos for years to come.
So I guess this is when I turn things over to you guys. Did you see it? If so, what did you think? Not going to see it, why not?