The new year has arrived, bringing with it the usual vows of self-improvement, opportunity for fresh starts, and hope that the coming twelve months will be better than the previous. It’s a traditional time for optimism.
Unfortunately, New Year’s Day 2018 doesn’t find me full of anticipation for the new year. Aside from the bigger problems of the world that haven’t disappeared with the 2017 calendars, my husband and I are both sick. We’re also still recovering from the emotional drain of the holidays. And temperatures aren’t venturing above 30 degrees. Don’t get me wrong; my life is good and I’m still grateful for what I do have.
Still, it can be tough to find enthusiasm for the new year when I’m more inclined to curl up in a blanket with my dogs to stay warm. However, I’d like to feel that sense of a fresh start and anticipating the new. So I am focusing on something I am definitely looking forward to in 2018. I’ve asked the other Ladies what they are looking forward to as well so click through to find out what we can’t wait for. Continue reading
Hey all! Hope you all survived the rollercoaster of the holidays. After making it through this past week you deserve some time to veg out. Perhaps a hardcore binge watching session is in order and you are looking for something you don’t have to work to hard on? In that case, might I suggest Reign…and before you think I am still hitting the holiday punch, hear me out.
It’s well documented that I love a costumed drama. And yeah, that what’s Reign is. It’s oh-so-loosely based on the life of Mary Queen of Scots, her ladies in waiting, Catherine de Medici, and Elizabeth I. It’s also a CW show so it’s about as historically accurate as a Baz Luhrmann movie, or A Knights Tale (and yes, I like that movie). It’s fan fiction of the time, or what you day-dream the Elizabethan period is like. Clean, glamorous, everyone has good teeth and hair, and clearly there is indoor plumbing hidden somewhere. Additionally, there is some good old-fashioned CW drama, including but not limited to sexy Nostradamus, castle ghosts, and weird but network TV safe sex stuff.
But underneath all that gloss and manufactured drama, what Reign does really well is present a compelling cast of women, whose characters are in powerful positions. The relationships among these women are complex, but largely center around friendship and support rather than competition. How refreshing! Politics and social mores supply enough external pressure on these women and it’s nice to see a show that realizes that. They may be Queens, or other royalty but that doesn’t exempt them from the need for strategic marriages, and other political alliances. These plays for power make them vulnerable enough. Having friendships and allies is key in a society that has given women power via a monarchy, but still hopes they will merely be figureheads or puppets.
Over the 4 seasons of this show we watch the relationships among the women shift in the way friendships do as life changes. And when someone falls from power, Reign manages to work in some modern sensibilities so these women rarely become victims….or at least are not victims for long. Also, the women stay the center of the story. While there are always men in each story line, it’s the women who remain the protagonists. They are who drive the narrative, unlike some other recent shows that promised me a female driven western…I’m looking at you Godless, but that’s another post. Characters, especially Mary, Catherine and Elizabeth are fully formed with strengths and weaknesses. They aren’t perfect, not by a long shot, sometimes their passions drive them, other times we watch them wrestle with and ultimately make difficult decisions for the good of country. As the show goes into later seasons it’s these characterizations that seem to drive the show more than the love triangles of earlier seasons. and hence, for me, it’s the later seasons that are more interesting, more mature.
So if you are looking for something to entertain you while you dig out from the holidays, maybe try bingeing Reign, in the very least you’ll get some great fashion idea for the next cosplay ball you attend.
At Comicazi Book Club last week, we had a new member stop by (we LOVE new members, so if you’re local to Somerville, MA – come sees us!), and we were discussing other books we’d read recently. Elfquest came up as an example of a rare book so massive we needed to break it up into two meetings – since we’d read volume one of the “Complete” edition, it was 720 pages of story. At the mention of the book, Honorary Lady Bill mentioned that he’d recently watched a documentary on Netflix that had featured Elfquest creator Wendy Pini, albeit more for her groundbreaking Red Sonja cosplay than for her comics. A documentary about women making comics? And me without a post? It was a match made in heaven. The Toyman and I sat down and watched the other night – what did we think?
The weather has turned cold and many of us are preparing for the long winter – filled with hot cups of tea, ill-fated attempts to wear 6 sweaters at once, and spending snowy evenings with your dear friend, Netflix.
And that’s where I come in. I’m a firm believer that Netflix time should be quality time. Until their algorithm improves, I’m hoping to spare you some time searching through their catalog and point you right towards the good stuff. So in this edition of Netflix Hidden Gems, I present you with April and the Extraordinary World.
Need a new animated show to check out? Here’s what I’ve been watching lately. Two are TV series, one is a direct to home market movie. Two are recommended and one is…well, read on and see. Continue reading
Here be spoilers for Stephen King’s IT (movie, mini-series, and book), proceed with caution if this is a thing you care about.
When evil wakes up in Derry, Maine, a group of marginalized kids come together to form a bond and take on the monster. Given their social status, the kids call themselves Losers Club. Beverly Marsh is the only female member of the Losers Club (the group that takes on It/Pennywise) and one of the most complicated in terms of what role the character plays.
Warning: Possible spoilers
Welp, it’s been a long time coming. Back from when we all were like “Whoa” when the first Daredevil series came out, to when we were like “Ugh” at what went down with Danny Rand, the Defenders is now on Netflix.
Coming down off Iron Fist, I feel like Defenders could only go up. And it did, starting with the open credits, which remind us that the city is actually the main character here. And it’s more than Cap just calling back to being from Brooklyn every chance he gets, the boroughs of NY are more than a setting, they are the uniting factor for the team. As metaphors go it has the subtlety of a jack hammer, but that’s ok, I’m not really watching this for subtlety.
Defenders isn’t perfect, and I did wish there was more, but for the most part what Marvel does well is bringing together the huge cast of characters they have been building towards. It’s not just about the title characters, but also all those supporting folks. Almost all of them are there (though I do wish there was more Marci), even if some character appearances feel like checking a box. That said I’m not going to complain about one moment of Sigourney Weaver’s (and her outfits) screen time, so yes, sacrifices need to be made.
The main storyline focuses on The Hand, immortal clan leaders, and dragon skeletons, so this gives Matt Murdock and Danny Rand an easier entry into the main story line, while Luke and Jessica remain a bit more street level chasing down tendrils that show how larger schemes affect everyday people. This is really the heart of Defenders and having Jessica remain a 5-star general of snark gives you a touchstone back to what the regular folk might be thinking.
Some additional thoughts:
Claire Temple. She is the voice of reason and a pragmatist in a world with super strength, glowing fists, and bullet proof skin. She’s also the catalyst, the center spoke who brings everyone together. While her appearances in earlier episodes start strong, as the series continues she and Colleen are marginalized to emotional back-up for Luke and Danny. NOT COOL.
Luke Cage has the patience of a saint. He finally calls Danny out on his privilege, asking him what he did before he became the Iron Fist, has he really earned what he thinks he’s owed? And maybe that’s what will salvage this version of Iron Fist, giving him counterbalance. And remarkably, Danny seems to welcome this. Sometimes boundaries are good, so let’s hope Luke continues to play that role because when the series starts one of the biggest disappointments is that Danny Rand hasn’t grown at all. He still thinks everything is about him, and for some reason, Colleen is still with him. WHY??? And she even makes excuses for him when he finally does turn inward to examine what Luke says. WHAT???
By episode 3 we see the 4 heroes come together in what is now a ubiquitous hallway fight scene. I love this and I don’t care if they do one in every series. There are also some nice Power Man and Iron Fist feels.
Black Sky (or as I called it, Dark Afternoon) made Elektra more palatable for me. Previously I didn’t find her overly interesting, but this incarnation of her seemed to have more dimension.
Unlike Claire and Colleen, Misty Knight’s story progressed in some really big and important ways. She has a new look and will soon have a new arm. Will we see Control? God, I hope so.
Despite my earlier griping, this story is still about Danny Rand. He’s like the Key Master or something, and while the character is better in this series, he’s still the least compelling. Except for one moment…..that dumpling scene in the restaurant. Danny finally abandons all his super hero drama and just wants to stuff his face the instant some dumplings show up. I have never felt closer to the character than in that moment.
The next Netflix series is The Punisher, and while it’s in this universe, it’s not super closely tied to the Defenders. I think what I am looking the most forward to is right now is the next Jessica Jones season. David Tennant is still involved so what’s not to look forward to?
Hey all, I’m gonna review the Netflix show, GLOW. If you haven’t seen it yet, go watch it and then let’s chat. There be spoilers here and I don’t want to ruin the show for you, ok?
GLOW starts with an acting audition that is too real even by today’s standards. Main character Ruth (Alison Brie) is at an audition; she reads a meaty part with passion, and conviction….only to be told, no honey, that was the male part, can you try it again reading the other part? The other part is one line, letting the boss know he has a call on hold. This sets the stage for one of the more meta themes of this show. Yes, it’s 2017 now, but really, how much have things changed? Continue reading
Unless you’ve been away from all media for the past week or two, you know that Adam West passed away. West was well-known and well-loved for his performance as Batman in the 60s TV series of the same name, the movie spun off from the series, and numerous animated appearances of the Caped Crusader. Plenty of writers have already covered what made West’s Batman so iconic, but I want to focus on another one of his contributions to the Bat mythos – the first time West was on a Batman series and didn’t play Batman. Continue reading
Hopefully, you already saw Wonder Woman if you are reading this. If not, you may want to bookmark this for later because – spoilers.
Before I even get into the movie itself, it’s almost impossible not to talk about the discussion leading up to Wonder Woman. For women in Hollywood and women characters, there was a lot riding on this one film. That’s largely because the reality is that women don’t get the chance to fail like men do. One dude does a bad thing and it’s #notallmen, but women don’t get that luxury. If WW is considered a failure by the industry it’s “women heroes can’t carry a movie”, or “women can’t direct superhero movies.” Never mind the sub-par records of some other male-centric superhero movies (Batman v Superman, Daredevil, Punisher), these directors and characters all got second chances. I know I don’t feel confident that women are afforded the same luxury, so Diana and Patty Jenkins carried a lot of their shoulders. Thankfully I don’t think we have to test this theory with Wonder Woman. While I didn’t feel it was the best movie (I’m not sure anything can dethrone Fury Road for me), it was a good movie – you know, for a movie about a woman hero written entirely by men.
I haven’t been shy about the fact that largely the DC movies haven’t been for me. It’s a stylistic opinion, but I have generally felt these movies lack joy and color. Wonder Woman tries to buck that trend…at least at the beginning. Themyscira is beautiful, full of cool blues, crisp green, and shining gold. It’s the world of man that is drab, and drags us back into that standard DC color palette. The movie is essentially an origin story. As WW’s origin is less known than her male counterparts this makes sense. And as a character more steeped in traditional myth, this gives an opportunity to explore another part of the DC Universe, especially for those WW fans who don’t read comics.
There was a lot that was good with this movie. First, the Amazons. My main disappointment with them was that they were only in a small part of the movie! While there could have been some more diversity, as someone who will soon be part of the over 40 set, it was nice to see that Themyscira was not filled with young waifs. Nor were the older women covered in overflowing gowns or caftans that hid their bodies. The Amazons were shown as strong, with scars, or marks out in the open.
Diana herself is very much a fish out of water for the majority of the film but remains self-assured and formidable. I’m not gonna lie, the No Man’s Land scene was powerful, and that’s because Diana looks powerful. I believed she was unmovable, and then able to move forward despite what was being hurled at her. It’s maybe a little heavy-handed in terms of metaphor, but I don’t care. For me, it worked. There were some other interesting takes on common tropes. As The Red Menace overheard two women in the bathroom discussing, the typical make-over scene was flipped on its head as Etta Candy (MORE ETTA!) is tasked with making a beautiful woman more dowdy, less distracting to men. You know, so they can continue planning the war and whatever. Thank God she wasn’t wearing yoga pants or leggings, society would have come to a standstill.
My biggest disappointment is the reveal that Diana’s strength is based in the power of love – here’s a trope I would like to see a lot less of! While I get what they are trying to say, having this reveal of her ultimate strength comes right on the heels of Steve Trevor’s death (yeah, he was totally fridged) made it feel more like romantic love, and an utter cliché. I felt the initial scene where Diana first reveals herself as an Amazon and crosses No Man’s Land (I see what you did there), is a much better characterization of her values. Diana’s strength lies in compassion and despite being a god, in her humanity. Compassion, of course, is a type of love, yes, and we see this play out in how Diana rescues a village no one else thinks is worth the time. But the moment where she “seizes the sword” of her own power was too wrapped up in her feelings for Steve, and given the romance angle, that he could be seen as an avatar for the human race gets overshadowed. Diana’s story and origin shouldn’t be based on her love for Steve, but rather in the fact that her compassion is what drives her decisions.
All that said, I think this movie is doing what it needs to do. It is proving that women heroes and directors (let’s get some women writers in there too) can carry a big budget movie. And more importantly how exciting is it for kids of all genders to have Diana be one of their first exposures to heroes? It’s pretty dang great.