I don’t know about the rest of the world, but here in Massachusetts the weather has finally embraced full-on summer, the kind with clear blue skies, warm nights, and the occasional thunder-storm to keep things exciting. It’s a great time to hit the beach or a park and catch up on some reading, so here are some suggestions to get you started. Continue reading
When I discovered that Gail Simone was writing a series for Vertigo, I was annoyed with myself for not knowing about it sooner. I mean, seriously Smalerie? Gail Simone. Original horror series. Get on it, girl.
So I did.
Then I wrote a review.
After Chloe Pierce loses her fiance to suicide, she embarks on a mission find out what could have driven him to take his own life. When all signs point towards self-help guru Astrid Mueller, Chloe will stop at nothing to find the truth behind Astrid and her mysterious organization.
When writing a mystery/horror story, the author has the difficult task of providing enough intrigue to keep the reader interested without making them frustrated. Clues need to be left behind like breadcrumbs or shiny pebbles leading you out of the dark forest. Clean Room handles this so well that I simply could not stop reading the first trade. At one point I was forced to put the book down, and it almost felt like the story followed me, hiding in a dark part of my mind and forcing me to think about it when I should have been concentrating on dinner conversation or watching an action flick with my family. I think reading this one as the issues came out might have driven me crazy.
From the description alone, I’m sure that most of you have figured out this book is for mature audiences. There are some VERY disturbing things that both happen and are referenced in this book. And while there were a few times when I felt that certain language and nudity might have been used more for the shock value rather than because it added to the story or said something about a character’s true nature, this story intends to strip characters down to their emotional cores and that is rarely pretty. But regardless of how ugly it gets, it still remains an engrossing read.
Mueller’s organization is an extremely secretive and organized one, providing more access and information as you go up the ranks. While this structure is common among many organizations, there is a lot here that reminds me of Scientology. It’s still early in the story for me to say if Mueller and her followers are dealing with their reality in the best way, but this book makes you really wonder what’s happening behind closed doors. This is true both in the story and in the outside world. What’s being kept from us? What do we have the right to know? And how high do the stakes need to be for you to give someone complete power over you? It makes you question authority and feel uneasy. And it’s very possible these questions might never really be answered in the story, but that doesn’t mean they aren’t worth asking.
Jon Davis-Hunt’s artwork is slick and detailed. His art and Quinton Winter’s colors match the writing well and create a really creepy and stark environment. This is especially true when we get the contrast between the Clean Room itself and the outside world. I will admit that there were a few times I felt that the characters seemed too stiff, but it still kinda works once you start to understand what’s really happening in the story. Without giving any spoilers, I think it’s safe enough to say that what you see on the surface is not always a reliable tool for truly understanding the world of this book.
As for the monster factor, I found them to be suitably creepy. You know when you run across something that’s just spooky or gross enough that you need to share it with someone? To either validate your feelings or just to make someone else shudder? Well, let’s just say there were a few times I found myself showing a page to whoever was unfortunate enough to be in the room with me.
It’s great to see Gail Simone writing, well, pretty much anything.
The story builds, feels satisfying enough to keep you reading, and I defy you not to run out and get Vol. 2 immediately.
Way back in October, I attended MICE – the Massachusetts Independent Comics Expo. Started in 2010 to provide area artists with a place to exhibit their work away from the noise and expense of larger conventions, MICE has gotten bigger each year, attracting independent comics folks from all over the country. That’s a lucky thing for those of us excited to find new stories and art.
As Women’s History Month marches on, we are happy to bring you another post in our “We Can Do It” series, highlighting women who strike out in underrepresented fields. Check out our first installment about female tattoo artist, Sandra Burbul.
When local creator and publisher Lindsay Moore reached out to us wanting to tell her story of publishing an all-female horror anthology, we jumped at the chance to have her share her experience. Lindsay talks openly and honestly about her challenges as a woman in the male-dominated fields of comics and horror. When she met resistance, Lindsay decided to strike out on her own and make her dream of Dark Lady (and other works) a reality.
March is Women’s History Month in the US – a time that various government institutions “commemorate and encourage the study, observance and celebration of the vital role of women in American history.” Here at the Ladies we encourage you to study, observe and celebrate women’s contributions every day – particularly their contributions to comics and pop culture. One of the things I like about doing your periodic webcomics round ups is that not only is it a chance to share the sheer talent of so many lady artists and writers (of whom there are still fewer than I would prefer getting work in mainstream comics publishing), but it’s also an opportunity to embrace a much wider scope of what storytelling in comics can be. Even though your average shop is offering far more than just superhero tales these days (and there’s nothing wrong with superhero tales), it still feels like the web has some weirder, wilder offerings. Here are three I’m digging right now.
Monsterkind by Taylor C.
Updates: T, Fr
Monsterkind is one of the first comics about social work I’ve ever seen. (Feel free to tell me if there are more in the comments!) It’s the story of Wallace Foster, a young social worker who’s recently been relocated to District C – a place where the inhabitants are mostly monsters. Wallace is human, and some of the residents of District C clearly don’t trust him and his intentions. Somehow he’s got to figure out a way to win over his clients – and figure out some of the deeper mysteries surrounding him, District C, and his new neighbors. What I really like about Monsterkind is that, even though it deals with some pretty deep and potentially sensitive topics – racism, segregation, and identity – it does so in a lighthearted and upbeat way that counterbalances the darkness of its subject matter while still taking it very seriously. It’s also got some pretty great and innovative character designs for the monster residents of District C – some look human but have powers and abilities that seem supernatural, while others sport everything from tentacles to detachable eyes. The underlying mysteries unfold slowly, but steadily, and promise a worthwhile payoff. Content-wise, this is appropriate for all-ages, but many of the interactions will go over the heads of young kids – I think early teens up would be the most interested.
Bonus: Another comic! Taylor C.’s significant other, one Zack Morrison, also does a weird comic I love called Paranatural. Maybe one day I’ll give it a whole review, because it’s awesome, but as Zack’s not a lady, it didn’t fit here. It’s fine as a bonus, right?
Not Drunk Enough by Tessa Stone
Updates: T, Th
Logan Ibarra is a young repairman with a pretty normal life – until he’s called out to do a nighttime service call at the local laboratory. When he gets there, it quickly becomes clear that the problem here is a lot worse than a faulty AC system. Reality itself has become warped, along with most of the lab’s employees. Now Logan’s got to figure out how to escaped before he’s transformed, eaten, or his flask runs dry.
I’ve been a fan of Tessa Stone’s work since her one of her earliest efforts, the dearly departed Hanna is Not a Boy’s Name. That was a comedy about a paranormal investigator, full of whimsy, jokes, and sweet-hearted humor. Not Drunk Enough has a sense of humor, but it’s a much more macabre one – the jokes of terrified people who know they’re unlikely to survive the night. The art, in turn is dark and jagged, befitting the paranoia permeating the doomed lab. Like Monsterkind, there are deeper mysteries to be solved that Stone teases out slowly, and real human heartbreak driving the choices the characters make. The creature designs are killer, literally and figuratively – this is a great read for older teens, but a bit too mature for the younger crowd.
Bonus: Stone also collaborates with Ananth Hirsh of Johnny Wander and Sarah Stone (yes, related) of Monster Boys and Robots on Is This What You Wanted, a comic that is just starting about romance and illness and demons. So if you dig her character design here, check that out too.
Ava’s Demon by Michelle Czajkowski
Plot: Ava Ire is a total outcast at school – all of the other kids and even the teachers think she’s totally crazy. Of course, since she’s often talking to herself and prone to emotional outbursts, it’s hard to blame them. What they don’t know is that Ava is plagued by a very real demon – Wrathia Bellarmina, the ghost of a former warrior queen who wants to bond with Ava in order to get revenge on the person responsible for her demise. That person happens to be the ruler of the entire universe, Titan; part corporate overlord, part god. When a series of strange events cause Ava to flee her home, a deal is struck – but will either Ava or Wrathia really get what they want?
Ava’s Demon combines fantasy and sci-fi elements into a powerful combination unlike anything I’ve quite seen before. The world-building is thorough but unforced – you learn about what’s going on as the characters do. The art is complete gorgeous, with fully saturated color and light effects that give everything a dreamy quality. Czajkowski takes advantage of her storytelling medium completely as well – each weekly installment consists of several pages that the reader flips through, introducing an almost animated quality to the story. At the close of each chapter is an actually animated sequence, complete with music. It’s frankly unlike anything else I’ve ever seen, and I can’t wait to see where the story is headed. This is another one I’d pitch more towards teens – there’s nothing too crazy but some of the violence might be a little much for a sensitive younger reader.
Bonus: If you follow the Ava’s Demon Tumblr, Czajkowski shares the beautiful fanart folks do for the comic.
Are there any other comics by ladies I should check out? Let me know in the comments!
Talking about feminism can be a complex issue. Over the years, there have been different definitions and movements, but put most simply it can be distilled down to the belief in equality between men and women and the rights that go along with it. It’s not a new concept, and it serves as a backbone for the very blog you are reading right now. So when an author is harassed off Twitter for writing a character who wears an “Ask Me About My Feminist Agenda” t-shirt on the cover, I made it a point to not only read Chelsea Cain’s Mockingbird comic, but to also review it for you guys.
I don’t want to spend a lot of time focusing on the Twitter incident, except to take pleasure in the amount of support Cain received from the comics community. It brought a lot of attention to a book that in many ways had been under the radar. As a result, it shot to number one on Amazon and I got to discover one of the most unusual books I have read in a long time.
In my last update, I outlined the many reasons I think you should be watching the CW’s iZombie series. Since he knows how much I like the show, for Christmas Mr. Menace decided to give me the iZombie omnibus – all 28 issues of Chris Roberson and Mike Allred’s series packed into one (admittedly pretty hefty) volume. He’d read the entire series as it came out, and was curious to hear my take on it as a fan of the show. So after the holidays, I dove on in.
For our second podcast episode, all five of us ladies got together for a year-end review of 2016. It was hard to narrow down our choices, but we each chose two highlights of 2016 and one item we’re really eager for in 2017.
Give a listen and let us know your top picks!
We usually highlight comics characters you might want to know more about when a new movie or TV series puts a little known character in the spotlight. Disney is currently ramping up promotion for a new DuckTales series due out next year, making this the perfect time to get to know the richest duck in the world.
I want to start off by apologizing that for the first time, I was unable to find appropriate comics for the recent Thanksgiving holiday. Not a lot of series out there have specific Thanksgiving issues, nor are there a lot about turkeys or something. If I have scandalized you by missing a really obvious book or story-line, let me know in the comments. Perhaps I can redeem myself next year.
Happily, Thanksgiving isn’t the only thing November has going on. And on the last day of the month, I am sliding into home with a post appropriate for Dinovember – comics that feature Dinosaurs. Here are just a few of my favorites.