Way back in October, I attended MICE – the Massachusetts Independent Comics Expo. Started in 2010 to provide area artists with a place to exhibit their work away from the noise and expense of larger conventions, MICE has gotten bigger each year, attracting independent comics folks from all over the country. That’s a lucky thing for those of us excited to find new stories and art.
As Women’s History Month marches on, we are happy to bring you another post in our “We Can Do It” series, highlighting women who strike out in underrepresented fields. Check out our first installment about female tattoo artist, Sandra Burbul.
When local creator and publisher Lindsay Moore reached out to us wanting to tell her story of publishing an all-female horror anthology, we jumped at the chance to have her share her experience. Lindsay talks openly and honestly about her challenges as a woman in the male-dominated fields of comics and horror. When she met resistance, Lindsay decided to strike out on her own and make her dream of Dark Lady (and other works) a reality.
March is Women’s History Month in the US – a time that various government institutions “commemorate and encourage the study, observance and celebration of the vital role of women in American history.” Here at the Ladies we encourage you to study, observe and celebrate women’s contributions every day – particularly their contributions to comics and pop culture. One of the things I like about doing your periodic webcomics round ups is that not only is it a chance to share the sheer talent of so many lady artists and writers (of whom there are still fewer than I would prefer getting work in mainstream comics publishing), but it’s also an opportunity to embrace a much wider scope of what storytelling in comics can be. Even though your average shop is offering far more than just superhero tales these days (and there’s nothing wrong with superhero tales), it still feels like the web has some weirder, wilder offerings. Here are three I’m digging right now.
Monsterkind by Taylor C.
Updates: T, Fr
Monsterkind is one of the first comics about social work I’ve ever seen. (Feel free to tell me if there are more in the comments!) It’s the story of Wallace Foster, a young social worker who’s recently been relocated to District C – a place where the inhabitants are mostly monsters. Wallace is human, and some of the residents of District C clearly don’t trust him and his intentions. Somehow he’s got to figure out a way to win over his clients – and figure out some of the deeper mysteries surrounding him, District C, and his new neighbors. What I really like about Monsterkind is that, even though it deals with some pretty deep and potentially sensitive topics – racism, segregation, and identity – it does so in a lighthearted and upbeat way that counterbalances the darkness of its subject matter while still taking it very seriously. It’s also got some pretty great and innovative character designs for the monster residents of District C – some look human but have powers and abilities that seem supernatural, while others sport everything from tentacles to detachable eyes. The underlying mysteries unfold slowly, but steadily, and promise a worthwhile payoff. Content-wise, this is appropriate for all-ages, but many of the interactions will go over the heads of young kids – I think early teens up would be the most interested.
Bonus: Another comic! Taylor C.’s significant other, one Zack Morrison, also does a weird comic I love called Paranatural. Maybe one day I’ll give it a whole review, because it’s awesome, but as Zack’s not a lady, it didn’t fit here. It’s fine as a bonus, right?
Not Drunk Enough by Tessa Stone
Updates: T, Th
Logan Ibarra is a young repairman with a pretty normal life – until he’s called out to do a nighttime service call at the local laboratory. When he gets there, it quickly becomes clear that the problem here is a lot worse than a faulty AC system. Reality itself has become warped, along with most of the lab’s employees. Now Logan’s got to figure out how to escaped before he’s transformed, eaten, or his flask runs dry.
I’ve been a fan of Tessa Stone’s work since her one of her earliest efforts, the dearly departed Hanna is Not a Boy’s Name. That was a comedy about a paranormal investigator, full of whimsy, jokes, and sweet-hearted humor. Not Drunk Enough has a sense of humor, but it’s a much more macabre one – the jokes of terrified people who know they’re unlikely to survive the night. The art, in turn is dark and jagged, befitting the paranoia permeating the doomed lab. Like Monsterkind, there are deeper mysteries to be solved that Stone teases out slowly, and real human heartbreak driving the choices the characters make. The creature designs are killer, literally and figuratively – this is a great read for older teens, but a bit too mature for the younger crowd.
Bonus: Stone also collaborates with Ananth Hirsh of Johnny Wander and Sarah Stone (yes, related) of Monster Boys and Robots on Is This What You Wanted, a comic that is just starting about romance and illness and demons. So if you dig her character design here, check that out too.
Ava’s Demon by Michelle Czajkowski
Plot: Ava Ire is a total outcast at school – all of the other kids and even the teachers think she’s totally crazy. Of course, since she’s often talking to herself and prone to emotional outbursts, it’s hard to blame them. What they don’t know is that Ava is plagued by a very real demon – Wrathia Bellarmina, the ghost of a former warrior queen who wants to bond with Ava in order to get revenge on the person responsible for her demise. That person happens to be the ruler of the entire universe, Titan; part corporate overlord, part god. When a series of strange events cause Ava to flee her home, a deal is struck – but will either Ava or Wrathia really get what they want?
Ava’s Demon combines fantasy and sci-fi elements into a powerful combination unlike anything I’ve quite seen before. The world-building is thorough but unforced – you learn about what’s going on as the characters do. The art is complete gorgeous, with fully saturated color and light effects that give everything a dreamy quality. Czajkowski takes advantage of her storytelling medium completely as well – each weekly installment consists of several pages that the reader flips through, introducing an almost animated quality to the story. At the close of each chapter is an actually animated sequence, complete with music. It’s frankly unlike anything else I’ve ever seen, and I can’t wait to see where the story is headed. This is another one I’d pitch more towards teens – there’s nothing too crazy but some of the violence might be a little much for a sensitive younger reader.
Bonus: If you follow the Ava’s Demon Tumblr, Czajkowski shares the beautiful fanart folks do for the comic.
Are there any other comics by ladies I should check out? Let me know in the comments!
Talking about feminism can be a complex issue. Over the years, there have been different definitions and movements, but put most simply it can be distilled down to the belief in equality between men and women and the rights that go along with it. It’s not a new concept, and it serves as a backbone for the very blog you are reading right now. So when an author is harassed off Twitter for writing a character who wears an “Ask Me About My Feminist Agenda” t-shirt on the cover, I made it a point to not only read Chelsea Cain’s Mockingbird comic, but to also review it for you guys.
I don’t want to spend a lot of time focusing on the Twitter incident, except to take pleasure in the amount of support Cain received from the comics community. It brought a lot of attention to a book that in many ways had been under the radar. As a result, it shot to number one on Amazon and I got to discover one of the most unusual books I have read in a long time.
In my last update, I outlined the many reasons I think you should be watching the CW’s iZombie series. Since he knows how much I like the show, for Christmas Mr. Menace decided to give me the iZombie omnibus – all 28 issues of Chris Roberson and Mike Allred’s series packed into one (admittedly pretty hefty) volume. He’d read the entire series as it came out, and was curious to hear my take on it as a fan of the show. So after the holidays, I dove on in.
For our second podcast episode, all five of us ladies got together for a year-end review of 2016. It was hard to narrow down our choices, but we each chose two highlights of 2016 and one item we’re really eager for in 2017.
Give a listen and let us know your top picks!
We usually highlight comics characters you might want to know more about when a new movie or TV series puts a little known character in the spotlight. Disney is currently ramping up promotion for a new DuckTales series due out next year, making this the perfect time to get to know the richest duck in the world.
I want to start off by apologizing that for the first time, I was unable to find appropriate comics for the recent Thanksgiving holiday. Not a lot of series out there have specific Thanksgiving issues, nor are there a lot about turkeys or something. If I have scandalized you by missing a really obvious book or story-line, let me know in the comments. Perhaps I can redeem myself next year.
Happily, Thanksgiving isn’t the only thing November has going on. And on the last day of the month, I am sliding into home with a post appropriate for Dinovember – comics that feature Dinosaurs. Here are just a few of my favorites.
All right, by now, you hopefully had a chance to watch the Netflix series Luke Cage and at least have some idea who Misty is. If you haven’t and you want to remain 100% spoiler-free, maybe go set up some binge watching time and come back to this later. Otherwise, read on and consider this a bit of a character primer on the comics version of Misty, which will hopefully give you some more background and get you even more interested in this kick-ass lady.
Heartless is an action/adventure comic set in early Victorian London. It’s about vampires, self-discovery, more vampires, the struggle against oppression, and very pretty dresses. The entire main cast is LGBTQIA+, with an explicitly asexual protagonist.
Our conversation below is lightly edited for clarity.